TRYPTYCH (JEWEL CASE REPRESS)

Tracklisting: CD 1 - Forest of Evil 1/. Forest of Evil (Dusk) 2/. Forest of Evil (Dawn) 3/. Quiet Sky (Bonus Track) CD2 - Liberation Through Hearing 1/. Caged in Stammheim 2/. Eurydice 3/. Regolith 4/. The Stars are Moving 5/. Bardo Thodol 6/. Matilda's Dream 7/. Nothing But The Night 2 (Bonus Track) 8/. Library Of Solomon BOOK 1 (Bonus Track) 9/. Library Of Solomon Book 2 ( Bonus Track) CD3 - Voices Of Dust 1/. Black Sun 2/. Hashshashin Chant 3/. Repository Of Light 4/. Of Decay & Shadows 5/. Rain & Shame 6/. Desert Ascetic 7/. Viento de Levante 8/. Leptonic Matter 9/. A Tale Of Sand 10/. Filtered Through Prejudice (Bonus Track) 11/. Past is Past (Bonus Track) --------------------------------- January 2014 sees the repress of Demdike Stare's 'Tryptych', a triple CD production that brings together three albums that have previously only been available on vinyl, plus an extra 40 minutes of bonus material recorded during the same sessions. Demdike Stare is a project made up of two insatiable vinyl collectors based in the north of England: Sean Canty (who works for the esteemed Finders Keepers label) and Miles Whittaker (a longtime producer and DJ who has released music under the MLZ moniker and as part of Pendle Coven) The music Demdike Stare make is hard to pin down, based largely around archival musical sources ranging from obscure library records to long forgotten jazz, early electronic, and industrial recordings, alongside an array of Iranian, Pakistani, Turkish and Eastern European material largely unknown in the Western world. Demdike Stare absorb and re-align these found sounds via their ever-expanding array of analogue machines, ending with something that is in part Plunderphonic, but ultimately completely new. Their music has sometimes been lumped-in with the Hypnagogic, Hauntological and, most recently, 'Witch House' movements, but ultimately Demdike Stare should appeal to anyone with an interest in everything from classic KPM library records through to the music of Basic Channel and all the way to the smudged, altered-realities of James Ferraro and The Caretaker. That is, at least until the next record, when the frames of reference might just change up and take them somewhere completely different„