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STARTING POINT
(The previously unreleased debut album from 1975) Starting Point was to mark the inception of one of Brazilâ„¢s most daring instrumental groups. Their debut now sits in the lofty echelon of otherworldly 70s Brazilian music, alongside the likes of Marcos Resende & Index's self-titled debut, Cesar Mariano & Cia's Sao Paulo Brasil, Azymuth's debut and indeed Hermeto Pascoal's Viajando Com O Som
Genre | Jazz |
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Format | CD |
Cat. no | FARO235CD |
Label | FAR OUT RECORDINGS |
Artist | GRUPO UM |
Release Date | 17/02/2023 |
Carrier | CD |
Barcode | 5065007965344 |
Out of stock
TRACKLIST 1. Por–o da Teodoro (Zé Eduardo Nazario) 2. Onze por Oito (Lelo Nazario) 3. Organica (Lelo Nazario) 4. Suite Orquidea Negra (Lelo Nazario) 5. Jardim Candida (Zé Eduardo Nazario) 6. Cortejo dos Reis Negros (Lelo Nazario) YouTube: https://www.youtube.com/watch?v=WT51qvhyx2I INFO In 1975, under the oppressive air of military dictatorship in Brazil, brothers Lelo and Zé Eduardo Nazario invited bassist Zeca Assumpç–o to join their musical experiments in a basement under Sao Paulo™s Teodoro Sampaio Street. As teenagers, the trio had already been playing together in Hermeto Pascoal™s Grupo, alongside guitarist Toninho Horta and saxophonist Nivaldo Ornelas, and it was while working together under Hermeto™s direction that the Paulista rhythm section (as they were then known) began to realise their own potential. With many nightclubs and venues closed in the mid-70s and government censors dictating the output of radio, TV and art galleries, many Brazilian artists fled during the years of dictatorship. But underground, Grupo Um were fusing avant garde ideals with contemporary jazz and Afro Brazilian rhythm; making phenomenally free and expressive music - in stark contrast to the sterile, conservative conditions being imposed above ground. Just like Hermeto Pascoal™s Viajando Com O Som from the following year, Starting Point was recorded over two days at Vice-Versa Studios, by revered engineer Renato Viola. The studio was one of the best in Sao Paulo and musicians communicated with engineers through cameras and a monitor, allowing the group complete immersion in the process. They also made use of the studio™s hemispherical tiled room, which served as an acoustic reverberation chamber. The album begins with Zé Eduardo Nazario™s thunderous drum solo on šPor–o da Teodoro›, before clearing the clouds with the lone Berimbau which opens šOnze Por Oito›. Built around a hypnotic electric bass line, heady Fender Rhodes improvisations, and more rip-roaring drums, it™s a rapturous, electrifying freak-jam in 11/8. Like some invertebrate deep-sea curiosity, the free-form šOrganica› is made up of Lelo Nazario™s playfully eerie prepared piano, with Zé Eduardo™s percussion flurries darting around Assumpçao™s double bass. The equally non-conformist, percussion-only piece šJardim Candida› features many of Zé Eduardo™s home-made instruments, including a long saw blade played with vibraphone sticks and violin bow. While working with Hermeto, Zé Eduardo famously built his own all-in-one percussion set-up known as the šBarraca de Percuss–o› (Percussion Tent) - the first of its kind in Brazil, which he would also use on Hermeto Pascoal™s Viajando Com O Som and throughout his career. šSuite Orquidea Negra'' (Black Orchid Suite) was written by Lelo Nazario as the score for an imaginary movie - the story of a rare, black orchid which produced a substance meant to cure all diseases, but which had mysteriously disappeared from the laboratory„ šAs a screenplay it™s not very good› reflects Lelo in jest, šbut the music ended up being very interesting, the way its parts are chained to one another carries a little of the mystery I imagined for the movie.› The album closes with the triumphant šCortejo dos Reis Negros› (Procession of Black Kings) - a groovy variation on the Maracatu rhythm, with a two-note bassline underpinning piano improvisations, exultant wordless vocals, cuicas, slide-whistles and a very special guest appearance from Zé™s dog Bolinha. Starting Point was to mark the inception of one of Brazil™s most daring instrumental groups. Their debut now sits in the lofty echelon of otherworldly 70s Brazilian music, alongside the likes of Marcos Resende & Index™s self-titled debut, Cesar Mariano & Cia™s Sao Paulo Brasil, Azymuth™s debut and indeed Hermeto Pascoal™s Viajando Com O Som. But just like all of those titles, which were either shelved or largely ignored at the time, Grupo Um - so radically ahead of their time - struggled to find a label to release their debut album. So Lelo kept the tapes safe in his archives, which is where they sat for almost half a century. Finally, almost fifty years later, this mesmerising piece of history is here, and it was only the beginning... Grupo Um™s Starting Point will be released by Far Out Recordings, on vinyl LP, with an insert featuring unseen photos and liner notes by the Nazario brothers, as well as a CD and digital release, 17th February 2023.