Genre Electronic & Dance
FormatVINYL
Cat. noSTS377LP
Label SMALLTOWN SUPERSOUND
Artist LINDSTROM & PRINS THOMAS
Release Date20/11/2020
CarrierLP
Barcode7072822377106
LP FORMAT DETAILS: Std black vinyl LP PRIVATE LISTEN LINK: https://smalltownsupersound.secretlyportal.com/play/221/0f9425efde0656d877c0c7f7 325a544347916149/ OVERVIEW: When Lindstr¢m and Prins Thomas get together, expect the unexpected. The Norwegian production duo's third album III is also their first outing together in eleven years, since II from 2009žand as ever, Lindstr¢m and Prins Thomas have crafted their own unique sonic world between the two of them. This is expansive, luscious electronic music rich with texture and intricacy, patiently revealing every eccentricity while constantly pulling the listener in. Getting lost never sounded so good. Since the release of II, Lindstr¢m and Prins Thomas have remained more than busy with their respective solo careers, but work on III was taking place behind the scenes the whole timežslow and steady by sending files back and forth. "There's a different process with every album," Thomas explains. "With the first two albums, we had a door between separate rooms in the studio, so I could open my door and play him something. We also toured together a lot after the first album, and after that experience we realized that we work better together at a distance. We're doing our best work by not worrying too much about what the other one of us is doing." Eventually, the bulk of III came together over the last year, as Lindstr¢m and Prins Thomas teamed up to craft a lush and lovely work that recalls the hazy atmospherics of Air, the loose-fit jazz of Lonnie Liston Smith, and the genreresistant electronic music that both artists have made their name on over the course of their impressive careers. "Our partnership is very democraticžwe never turn down each other's ideas. And if it goes wrong, we blame it on the other guy," Thomas says with a laugh. "The tracks that Lindstr¢m sent me this time were almost like standard house tracks. I already had an idea of what I wanted to do, so I forced those tracks into new shoes and dresses."