CONTRAST

(12")
Family, Fish, Shapes. These are only three of the many topics that Stefan Streck aka The Micronaut recently devoted himself to within his releases on labels such as Acker Records or Analogsoul.
Genre House
FormatVINYL
Cat. noFAT076
Label FREUDE AM TANZEN
Artist THE MICRONAUT
Release Date16/02/2018
Carrier12"
Barcode880319893612
Barcode: 880319893612 Family, Fish, Shapes. These are only three of the many topics that Stefan Streck aka The Micronaut recently devoted himself to within his releases on labels such as Acker Records or Analogsoul. Always with a clear line, but never intellectualising, is how the multi-instrumentalist and producer pursues his scientific curiosity in terms of sounds. His tracks are elaborate and yet danceable. Sometimes they are composed minimally, sometimes they are utterly playful. Within just a few bars, subtle sequences transform to energetic roller coaster rides since The Micronaut loves having a game with contrasts. His newest EP on Freude am Tanzen proves this anew. The EP contains four tracks full of references to the past in view of the future. Indeed, the samples and sounds of the British šsummers of loveš echo strongly until today, however, they sound much more like a reinvention instead of a revival in the case of The Micronaut. Since his music doesn™t shy away from big gestures, but virtually seeks them out  and discovers them where melancholy meets euphoria far from rigid genre classifications. Breakbeats from Britain come upon IDM and trance, wide synth landscapes are embedded in pop. Hence, this is how The Micronaut unifies contrasts a new in each track. A1  Earlylate To start a rave once again somewhere in broad acres or in abandoned tunnels. On top of that, this track, whether early or late, the arms up in the air and a riot of emotion. Air horn! A2  Oldnew Shuffle, but different. Almost like Kompakt wasn™t from Cologne, but from London. Similar over here, nobody is looking obliquely when the beat doesn™t march straight forward four-to-the-floor. Massive groove with obstacles, might as well. B1  Underover It™s as if James Holden was on his way going on a short trip in England beginning of the nineties when basses still made ears and trousers tremble. This sound won™t age in a hundred years  especially not when it™s as fresh. B2  Smallbig The bouncer with tremendous thoughtfulness. A hymn for the late hours shortly before the lights go on. In last retrospect, not thinking about tomorrow. In this moment for all eternity, for one night. 01 Earlylate 02 Oldnew 03 Underover 04 Smallbig